Alan Ritchson's New Action Movie Officially Removed From 1,200 Theaters

Published Oct 1, 2026, 8:00 PM EDT

Rohan Naahar is a News Writer for Collider. From Francois Ozon to David Fincher, he’ll watch anything once. He has covered everything from Marvel to the Oscars, and Marvel at the Oscars. He also writes obsessively about the box office, charting the many hits and misses that are released weekly, and how their commercial performance shapes public perception. In his time at Collider, he has also helped drive diversity by writing stories about the multiple Indian film industries, with a goal of introducing audiences to a whole new world of cinema.

The theatrical market has changed dramatically in the last few years, with only a handful of movies capable of drawing audiences for longer than a few weeks. This summer’s Spider-Man: Brand New Day and The Odyssey are prime examples of films that have been able to defy trends, as they continue to appear on the domestic top-10 chart more than two months after their release. However, most other movies last only a couple of weeks before they’re moved to the PVOD market. For instance, the recently released period action movie The Uprising, starring Andrew Garfield, is already available for rent and purchase digitally. And after just 20 days, Alan Ritchson’s new action movie seems poised to join it, having lost around half of its theatrical footprint.

Early reports suggest that the movie will land on PVOD platforms on October 13, which would give it two more weeks in theaters. However, its reach will likely continue to decrease. The movie debuted in around 2,500 theaters and is now playing in roughly 1,300 theaters. So far, it has grossed approximately $14 million domestically, which puts it between the two Jason Statham vehicles of the year — Shelter and Mutiny. It’s also poised to overtake Ridley Scott’s big-budget bomb, The Dog Stars. Ritchson’s movie serves as a major attempt by Angel Studios to diversify its content from faith-based programming to more mainstream fare. While the studio’s projects still target religious audiences, some of its newer movies are designed to appeal to a broader audience.

Your answers have pointed to one action hero above all others. This is the person built to have your back — for better or considerably, spectacularly worse.

Your partner doesn’t talk much, doesn’t need to, and will have assessed every threat in your immediate environment before you’ve finished your first sentence. John Rambo is not a man of plans or politics — he is a force of nature shaped by survival, loyalty, and a capacity for endurance that goes beyond anything training can produce. He will not leave you behind. He has never left anyone behind who deserved to come home. What you get with Rambo is the most capable, most quietly ferocious partner imaginable — one who has been through things that would have broken anyone else, and who chose to keep going anyway. You’ll never need to ask if he has your back. You’ll just know.

Your partner will arrive perfectly dressed, perfectly briefed, and with a cover story so convincing it’ll take you a moment to remember what’s actually true. James Bond is the most professionally dangerous person in any room he enters — and the most disarmingly charming, which is the point. He operates in a world of layers, where nothing is what it appears and every advantage is used without apology. You’ll never be bored. You’ll occasionally be furious. But when it matters — when the mission is genuinely on the line and the margin for error has collapsed to nothing — Bond is exactly the partner you want. He has survived things that have no business being survivable. He does it with style. That is not nothing.

Your partner will know the history, the language, the cultural context, and exactly why the thing everyone else is ignoring is actually the most important thing in the room. Indiana Jones is brilliant, reckless, and occasionally impossible — but he is also one of the most resourceful, most genuinely knowledgeable partners you could find yourself beside. He approaches every situation with a scholar’s eye and a brawler’s instinct, which is an unusual combination and a remarkably effective one. He hates snakes and gets personally attached to objects of historical significance, both of which will slow you down at least once. It doesn’t matter. What Indy brings is irreplaceable — and the adventures you’ll have together will be the kind people write books about. Assuming you survive them.

Your partner was not supposed to be here. He does not have the right equipment, the right information, or anything approaching the right odds. He has a sarcastic remark and an absolute refusal to accept that the situation is as bad as it looks. John McClane is the greatest accidental hero in the history of action cinema — a man whose superpower is stubbornness, whose contingency plan is improvisation, and whose capacity to absorb punishment and keep moving would be alarming if it weren’t so useful. He will complain the entire time. He will make it significantly more chaotic than it needed to be. And he will absolutely, unconditionally, without question come through when it counts. Yippee-ki-yay.

Your partner has already run seventeen scenarios by the time you’ve finished reading the briefing, and the plan he’s settled on involves at least two things that should be physically impossible. Ethan Hunt operates at the absolute edge of human capability — technically, physically, and intellectually — and he brings the same relentless precision to protecting his partners that he brings to dismantling organisations that shouldn’t exist. He is not easy to know and he will never fully tell you everything. But he will carry the weight of the mission so completely, so absolutely, that your job is simply to trust him — and the remarkable thing is that trusting him always turns out to be the right call. The mission will be impossible. He will complete it anyway.

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