48 Years Before Hugh Jackman’s Best Sci-Fi Movie, ‘The Twilight Zone’ Did It First

Published Aug 29, 2026, 11:09 PM EDT

Michael John Petty is a Senior Author for Collider who spends his days writing, in fellowship with his local church, and enjoying each new day with his wife and daughters. At Collider, he writes features, reviews, recaps, and conducts interviews. In addition to writing about stories, Michael has told a few of his own. His novella, The Beast of Bear-tooth Mountain,** **was released in 2023. His Western short story, The Devil’s Left Hand, received the Spur Award for “Best Western Short Fiction” from the Western Writers of America in 2025. Michael currently resides in North Idaho with his growing family.

It’s been 15 years since Shawn Levy and Hugh Jackman first teamed up for Real Steel, long before the pair reunited for Deadpool & Wolverine. The 2011 sci-fi boxing drama starred Jackman as former boxer turned robot trainer Charlie Kenton, who is forced to build a robot boxer with his son when automated machines replace the sport. While this might feel like an original concept, the film was an adaptation of a short story titled Steel, written by notable science-fiction and horror author Richard Matheson.

Of course, more well-known is The Twilight Zone episode of the same name that aired in October 1963, starring Lee Marvin as Tim “Steel” Kelly, a former boxer who decides to go a round in the ring with a robotic counterpart. Nearly five decades before Jackman stepped into the robot-boxing world, The Twilight Zone had already entered the ring. If you haven’t seen this original series episode, consider this your starting bell.

Whether you prefer the short story or the television episode, both versions of Matheson’s “Steel” are incredibly similar. In each of them (set in the near future of 1974…), former boxer Tim “Steel” Kelly has resorted to becoming a boxing trainer/promoter after the sport was outlawed for humans. That might sound preposterous today, but that’s only because you weren’t living in the 1960s at the time. In 1963, the sport was filled with controversy after the death of not one, but two different boxers — Benny Paret and Davey Moore — one of whom died during a match on live television. Because of this, the massive weight of the sport was becoming clear to general audiences, and many believed that there could come a time when boxing itself was expunged from the record. This is the world of Richard Matheson’s story.

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

Matheson, who also penned the more iconic (and very next) Twilight Zone episode, “Nightmare at 20,000 Feet,” wrote this half-hour drama as the second to air during the fifth and final season of the show’s original run. With Lee Marvin (who had previously appeared in Season 3’s “The Grave”) in the leading role, there was no doubt that this one would thrive on its own merits, regardless of its Magazine of Fantasy & Science Fiction origins. While Matheson’s next Twilight Zone is infinitely more beloved, Steel has more than enough emotional draw, even if it’s a bit more understated about it. What starts as a story about a washed-up boxer trying to reclaim his glory days through the use of a machine (in this future, machines are the sole boxers of the day) slowly becomes a Rocky story that ends fairly similarly to the later Sylvester Stallone picture. After his B2 model boxing bot, “Battling Maxo” (Tipp McClure), sheds a spring, the robot is unable to fight. To make ends meet, “Steel” Kelly, himself a former boxer, decides to take on a superior B7 model himself.

Though Kelly gives a valiant effort, he doesn’t stand much of a chance in the ring. As Rod Serling’s ending narration notes, “Portrait of a losing side, proof positive that you can’t outpunch machinery.” Despite that, the narrator also notes that “Steel” is a prime example of the courageous nature of the human spirit, and our willingness to rise to the challenge no matter how impossible the odds. One almost wonders if Stallone might’ve watched or read Steel before coming up with the plot of the first Rocky. It’s impeccable how familiar (and perhaps even relatable) the story still feels after all these years, which is a true testament to the lasting power of an author like Matheson. These days, we know him best for I Am Legend, Hell House, or Duel, which would later turn into a Steven Spielberg film of the same name.

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