Prime Video Quietly Delivered One of TV’s Best Stephen King-Style Thrillers in Just 2 Seasons

Published Jul 27, 2026, 11:57 PM EDT

Giovana Gelhoren is a High-Trending Topics Writer at Collider, covering the most-talked-about stars, movies, and TV shows. Before joining Collider, she was a Digital News Writer at People Magazine and served as Associate Editor at SheKnows, where she honed her expertise in celebrity coverage and entertainment journalism.

A proud Latina from Rio de Janeiro, Brazil, Giovana graduated from Northwestern University with a degree in Journalism and International Studies. She has interviewed countless celebrities, including Anne Hathaway, Halle Berry, Pamela Anderson, Jamie Lee Curtis, and Brenda Song, and is known for her encyclopedic knowledge of film, TV, and pop culture.

With over 60 books published over the years, Stephen King has established himself as one of the most prolific and beloved horror authors of all-time. And as his novels continue to be adapted to the big and small screens, including new titles like The Long Walk and IT: Welcome to Derry, more TV shows have been popping up that instill in the viewers the same sense of eerie dread and imminent danger. Among them is Prime Video’s 2022 series The Devil’s Hour, which is, undoubtedly, one of the best King-like thrillers on streaming to date.

First premiered on October 28, 2022, The Devil’s Hour has become one of Prime Video’s most underrated gems. The series, which released its second season in October 2024, has earned a flawless 100% score on Rotten Tomatoes, with critics praising how the series grips viewers from the very beginning, is filled with incredible performances, and delivers on a suspenseful, binge worthy plot. It’s a true hidden gem, and the perfect watch for fans of Stephen King.

The Devil’s Hour begins with Lucy Chambers (Jessica Raine), a social worker who finds herself waking up every night at exactly 3:33 a.m. plagued by unsettling visions she can’t explain. As she struggles to care for her withdrawn son, Isaac (Benjamin Chivers), whose mysterious behavior and “imaginary friends” seem increasingly sinister, Lucy finds herself drawn into a chilling serial murder investigation centered on the spine-chilling Gideon Shepherd (Peter Capaldi). Meanwhile, Detective Ravi Dhillon (Nikesh Patel) is investigating the murders while grappling with his own unnerving sense of déjà vu. Flash-forwards to Lucy’s cryptic conversations with a handcuffed Gideon hint that their lives are connected in ways that won’t become clear until later. What begins as a gripping crime thriller gradually unfolds into a mind-bending mystery about memory, fate, alternate lives, and the possibility that some people have lived far more than one lifetime.

By Season 2, which picks up after Lucy’s near-death experience, she’s haunted by vivid memories of a life she never knew she’d lived. Newly single and raising Isaac on her own, she discovers she struck a bargain with Gideon to save her mother in exchange for helping prevent a devastating catastrophe. With time, they form an uneasy alliance while becoming the target of dangerous forces determined to stop them. As the threats worsen, Isaac’s unsettling abilities continue to evolve, pulling the family even deeper into the show’s increasingly complex web of timelines, destiny, and second chances.

Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.

Jason is relentless, but he is also predictable — and that is the gap you would exploit.

Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it’s too late for anyone who isn’t paying close enough attention.

Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.

Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.

Chucky’s greatest advantage is that nobody takes him seriously until it’s already too late. He exploits the gap between how something looks and what it actually is.

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