Published May 31, 2026, 8:00 PM EDT
Chris is a Senior News Writer for Collider. He can be found in an IMAX screen, with his eyes watering and his ears bleeding for his own pleasure. He joined the news team in 2022 and accidentally fell upwards into a senior position despite his best efforts.
For reasons unknown, he enjoys analyzing box office receipts, giant sharks, and has become known as the go-to man for all things Bosch, Mission: Impossible and Christopher Nolan in Collider’s news division. Recently, he found himself yeehawing along to the Dutton saga on the Yellowstone Ranch.
He is proficient in sarcasm, wit, Photoshop and working unfeasibly long hours. Amongst his passions sit the likes of the history of the Walt Disney Company, the construction of theme parks, steam trains and binge-watching Gilmore Girls with a coffee that is just hot enough to scald him.
His obsession with the Apple TV+ series Silo is the subject of mockery within the Senior News channel, where his feelings about Taylor Sheridan’s work are enough to make his fellow writers roll their eyes.
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There were a lot of Westerns made in the 1950s and 1960s, but this one in particular holds a very special place in the history of the genre. This smashed box office expectations, earned an Oscar at long last for its legendary star, and is probably on the Mount Rushmore of horseback movies. Now, it’s streaming once again, so saddle up.
True Grit is moseying onto Paramount+ in June, bringing the legendary 1969 Western back for viewers who want to revisit the adventures of the iconic Rooster Cogburn. Directed by Henry Hathaway, the film is based on Charles Portis’ 1968 novel of the same name and remains one of the most recognizable Westerns of its era. The cast includes John Wayne (The Searchers) as Rooster Cogburn, Kim Darby (Better Off Dead) as Mattie Ross, Glen Campbell (Norwood) as La Boeuf, Robert Duvall (The Godfather) as Ned Pepper, Dennis Hopper (Easy Rider) as Moon, Jeremy Slate (The Born Losers) as Emmett Quincy, and Strother Martin (Cool Hand Luke) as Colonel Stonehill.
The story follows Mattie Ross, a young woman that won’t take no for an answer who hires aging U.S. Marshal Rooster Cogburn to help track down the man who murdered her father. Along the way, they are joined by Texas Ranger La Boeuf, creating a strange, prickly trio as they head into dangerous territory in pursuit of justice.
The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.
You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.
You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.
You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
The movie ended up being one of the defining films of Wayne’s career. The movie earned about $31.1 million domestically, which is roughly $275 million in today’s money, and around $37.7 million worldwide, which works out to around $333 million today. AFI also notes that it earned $11.5 million in film rentals in 1969, equal to roughly $102 million today. And not just that, it was a major success on the awards circuit, with Wayne winning his first and only Academy Award for playing Rooster Cogburn, while it also received a nomination for Best Original Song.
The Coen brothers later adapted the same novel in 2010 with Jeff Bridges and a wonderful debuting Hailee Steinfeld, but the Wayne version still has its own appeal. It’s a broader and more traditional movie, but more than anything, it’s a classic studio Western firing on all cylinders.
True Grit streams on Paramount+ in June.
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Charles Portis, Marguerite Roberts