There can’t be many more iconic characters than Indiana Jones. Everything about him screams legendary, from the fedora, the whip, the gun that he uses when he can’t be bothered using the whip, the satchel, you get the gist. Put him in a room full of bad guys trying to steal a dangerous artifact, and everything suddenly feels right again. And that’s always been the magic of Indiana Jones, a character built for dusty tombs, ancient mysteries, and narrow escapes. Well, now, Disney is officially bringing Indy back for a classic adventure, and it’s about time.
Marvel has unveiled **Indiana Jones: The Further Adventures Book I **and Indiana Jones: The Further Adventures Book II, two new deluxe hardcovers collecting the character’s beloved 1980s Marvel Comics sagas. The books will be available from September and include some of Indy’s most nostalgic comic book adventures, so for fans who grew up with Indy or want more beyond the movies, then this is a great example of extra content.
The two hardcovers will collect the comic adaptations of Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, and Indiana Jones and the Last Crusade. They will also include the entire run of The Further Adventures of Indiana Jones, the Marvel Comics series that expanded Indy’s world throughout the 1980s.
The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.
You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.
You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.
You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
The franchise is immensely successful, even if the most recent outing made things seem slightly unsteady. Across the five movies, the franchise has made roughly $2.35 billion worldwide at the box office. The biggest earner is Indiana Jones and the Kingdom of the Crystal Skull, which made about $786.6 million worldwide, while Indiana Jones and the Last Crusade made about $474.2 million, Raiders of the Lost Ark made about $367.5 million, *Temple of Doom *made about $333.1 million, and Dial of Destiny made about $384 million.
The important caveat is that Dial of Destiny was a financial disappointment because of its huge budget. It reportedly cost around $300 million before marketing and grossed under $400 million worldwide. But that doesn’t mean that love for Indy is gone, because nostalgia is a hell of a drug, and the hope is that it works again here.
Indiana Jones: The Further Adventures Book I and Indiana Jones: The Further Adventures Book II will be available this September.
Indiana Jones and the Dial of Destiny ](/tag/indiana-jones-5/)
](/tag/adventure/)
](/tag/action/)